Window Seats II

Thanks to friend of Balintore, Violet, for making a couple of fitted cushions for the trapezoidal window seats in two of the entrance tower bedrooms. There is a previous blog entry on these window seats, sans soft furnishings, here. The cushions certainly transform the spaces for the better.

In the yellow room a damask curtain, bought at auction, was recycled into the covering. The warm tones in the fabric, pick up the red of the carpet and the yellow of the walls.

new window seat cushion in yellow room

For the blue room cushion, Violet donated a light blue velvet, and a dark blue velvet to cover the buttons. Violet overrode the material I had brought along as a bad colour choice, and I could only but agree but this was all I had. We rummaged around in Violet's bag of materials for about half-an-hour, considering carefully the different colour-ways. We even toyed with a number of blue-ish hued tartans. :-) I always thought I was very sensitive to colour, but Violet's artistic eye took things to a whole new level, and the final colour choice was just perfect. It turned out that the light blue material was resistant to being sewn by machine, and Violet had to hand sew the whole thing. I couldn't be more grateful for her endeavours beyond the call.

new window seat cushion in blue room

Gregor came to me a few days ago to ask if I wanted more windows seats in 3 new rooms we are fixing up. To be honest I had not really though about it, and initially said "no", because the rooms are large enough for chairs and I thought it would just be extra work.

I had obtained some pitch-pine tongue and groove lining from Lochee Parish Church in Dundee recently as it is being remodelled. I asked Gregor if he could recycle this for lining the windows. Unfortunately, it was just too short to reach from the bottom of the window to the floor. "Hang on a moment, " I said, "if we put in a window seat we can use the shorter lengths of lining above and below the seat level.". Suddenly, window seats became very attractive - it's an extra seat or surface if you ever need it.  Even then, they didn't quite reach the floor, but a bit of skirting board hides the gap:

new window seat with recycled framing timbers

Sadly, the supply of pitch-pine lining ran out far too soon, and we only managed to cover the seat back of the second window seat. For the bottom section we used bespoke modern lining copied from the Balintore original. The Lochee lining has an identical design, although it is a little narrower, but hopefully most people will simply not notice.

new window seat with 50% recycled framing timber

Gregor and I are living with the wonderful rich colour of the reclaimed pitch pine for now, but to suit the rest of the woodwork, we will probably have to paint it the same white which is a shame. One of the rooms has other dark wood detailing, so we may may be able to leave the pitch pine au naturel in this location.

What I love about the restoration of Balintore is paradoxically that there are so many constraints. It is a listed building so I am dedicated to putting back what was there before. However, we have to work with the reality of what has survived and what has disappeared, and the fact you cannot buy reclaimed materials to order, so how are we going to get everything to work together? The mix of solving practical problems and trying to achieve good-looking solutions is always a joy. 

To donate to the Balintore restoration project click here.

70's Sci-Fi Heating Controller

The heating system being developed at the castle was, until a few days ago, controlled by a small off-the-shelf heating controller. This had small fiddly controls; required multiple presses of buttons to switch between incomprehensible modes; and generally confused operators, including myself, to the point of mis-operation.

I used to fantasise to my friend Andrew about big knobs with decisive clicks, large multi-coloured lights to indicate status, and Internet control so the heating system could be operated off-site.

It was obvious with such a large building that we would eventually have to move to a zoned-heating system i.e. it would be insane to try to heat the whole building at any one time even if we had a boiler that was capable of it. A few manual pipe valves were installed to bring different areas online/offline, but it was clear this was just a short term solution and that ultimately fool-proof electronic control was required.

In short, the existing controller was no longer adequate, and a bespoke upgrade was required. I asked my friend Andrew to get on the case. My only specification, aside from function, was that the new unit should look like a prop from a low budget 1970's Sci-Fi film. A brief that Andrew was delighted, and just a little too keen :-), to comply with. 

The marvellous result, shown below, was installed last Wednesday. All 4 switches (3 heating zones and hot water) are under Internet control. There are not quite 3 zones as yet but the controller is ready and waiting! Andrew and I looked into the Internet controllers out there. I would have expected units with 32 switches, but the typical numbers of switches were 1, 2 and 4, so we went for a unit with 4.

Working in IT, I am aware that systems must still work when there is total IT failure, and Andrew is very thorough by nature. There is full manual override, and full mechanical timers - in addition to the software timers available in the App. 

At some stage, the castle may need more boilers and more controllers, but the current system is now balanced, easy to control, and running 3 zones would take the boiler to roughly maximum capacity in any case.

70's Sci-Fi Heating Controller

To donate to the Balintore restoration project click here.

Temperature Inversion Wonders II

The anomalous temperature inversion weather has been lingering now in the area for 3 days. The result is that waves of mist are rolling around creating amazing landscapes. These are especially magical when the light of the sun filters through.

This evening, just as it was about to get dark, the mist rolled bigtime into Glen Quharity. This is very rare, and only occurs every few years. At one stage the mist was threating to come up to the very edge of the castle itself, and when this happens the castle looks to be floating mysteriously on a sea of white. However, by the time I found my camera, the mists had disappointingly retreated somewhat. Anyhow, here are the photos I did manage to take.

looking across Glen Quharity: mist lying in bands

Glen Quharity encroached upon by mist

To donate to the Balintore restoration project click here.

Vale of Strathmore in Cloud

I have just returned to the castle after a few weeks away in the depth of Englandshire. The weather,  at the point one comes back after a period of absence, does rather dictate one's mood.  Wintry weather makes one question the wisdom of being in Scotland. However, at the moment the sky is clear and there is bright sunshine, doing a formidable impression of a summer's day even on the 7th of November. I am so pleased to be back. :-)

The presence of the sun is not universal. This photo, taken a few minutes ago, shows the wonderful atmospheric effect of cloud lying in the Valley of Strathmore. What a double whammy: good weather and the resulting smugness from others that are less fortunate.

view from castle: cloud lying in the Valley of Strathmore

To donate to the Balintore restoration project click here.

Urn Again

Accustomed as I am to the extraordinary stories, that unfathomably result from Balintore's restoration, the following miraculous sequence of events took even me by surprise.

I was contacted on my blog by an Andrew from Perth, saying that he had spotted the urns that once adorned the front of Balintore Castle, for sale at a Perth Auction House. 

urn for sale as pictured in online auction catalogue

"That'll be right!" I sighed to myself, not for a moment thinking that this could be true. The urns can be seen in old Victorian photos, but disappeared a long time ago. I had no idea where these had gone, and assumed they were lost forever.

Victorian photograph of Balintore showing urns above entrance door

To be courteous to Andrew, I checked the photos on the auction website against the Victorian photos. There was, it had to be admitted, a superficial resemblance, but urns of this style would surely have been churned out in Victorian times so the similarity was just a coincidence.

I studied the lichen-covered stone of the urns in the photos, and then a chill started up the back of my neck. Forms can be deceptive but patina holds the soul. The rose-blush sandstone and the light coloured lichen were already known to me, for this was surely the very material from which my castle was built. The photos of the urns showed them to be in front of a neo-classical building with fluted columns, built from a different redder sandstone, suggesting that the urns and building were not of a piece. The urns also overhung the blocks of sandstone they were sitting on, in an unsightly fashion, suggesting there were not designed together.

My heart started to race, and another message came in from Andrew that the niches on the bases of the urns corresponded to stonework on the face of Balintore Castle. 

I couldn't let myself accept that the evidence seemed to be definitive, but I did message Andrew back that these did seem to be Balintore's urns. 

With a starting price of £2000 and an auction estimate of £4000 to £6000, there was no way I could afford them. I needed to act, and I did so without hesitation. I wrote to Historic Environment Scotland for funding to buy the urns, and wrote to the auction house to ask if they could delay the sale until they could provide written provenance on the items because they come from an A-listed building. If the urns had been removed after the date of listing (January, 1980) then the sale was illegal.

My sister then emailed me to say she had done further research on the urns on the auctioneer's website and discovered they are at Bardmony House, 10 miles south of Balintore Castle. Bardmony House had been recently sold, and the online estate agent specification showed interior photos. I recognised one of the fireplaces immediately as coming from Balintore Castle. I asked the estate agent to send a message to both the old and new owners asking about the fireplaces and urns. In particular, I asked the new owner of Bardmony if I could buy the urns privately. Given that the urns were for sale, it was clear they were not wanted. By the same token, I did not ask to buy the fireplaces as these are installed within the fabric of Bardmony and were not up for sale.

There was no guarantee that either party would respond, but with GDPR regulations all I could do was to ask the estate agent to pass on my messages. I also asked the auction house to pass a message to the seller of the urns.

urns for sale at auction house in front of Bardmony House poster

The new owners of Bardmony replied first, and I was told that although the urns did indeed appear in the estate agent specification, they were removed a week before the house sale went through. The previous owner then replied saying a private sale could be possible, and after discussions a price was agreed. However, before any sale, the seller wanted me to inspect the urns, now at the auction house, to ensure that they really did come from Balintore. I measured the niches in the bases of the urns. These were 11". I measured the bases of the urns carefully: these were 50cm x 50cm. I then climbed up a tall ladder at Balintore and measured the locations where the urns had once been. The platforms where the urns has stood were 50cm x 50cm and the stonework into which the side of the urns slotted was 11" . This was the 5 sigma Higgs Boson proof. There could no longer be any doubt, or rather it was as certain as anything could be, that the urns at auction were the long lost urns from Balintore castle.

Despite the agree price being a lot of money for me, I was delighted with the outcome - as it meant returning the urns to Balintore Castle after a long absence. The last known photograph with the urns at Balintore is 1976, and the (presumed) sale of the urns by the Kinnordy Estate must have been before 1983 as this is when the Estate sold the castle. The sale of the Balintore fireplaces by the Kinnordy Estate was already known about, and it is a reasonable assumption that the urns were sold as part of the same transaction as they went to the same buyer.

This date window for the removal of the urns, indicates that they have been away from Balintore for around 40 years.

I messaged Andrew that we must exchange email addresses, as I wanted to find out more about how he spotted the urns in the first place. I told him that he must be a remarkable person, because most people would just see the urns and not make any connection to Balintore Castle. Andrew told me he has high functioning autism, a great interest in architecture, and a photographic memory for architectural detail. He had seen a Victorian photograph of Balintore some years before and was able to instantly make the connection. What is remarkable is that the photo he had seen was not particularly high resolution. The human mind is an amazing thing.

urns re-instated at Balintore Castle after 40 years

The image above is of a recent wedding at Balintore Castle. It is no accident that when I was reluctantly dragged in front of the camera in my Victorian smoking jacket, that you find me hanging on to one of the urns proprietorially. Their reacquisition was quite some journey.

I cheekily asked the new owners of Bardmony, if I could have a peek at the Balintore fireplaces. Friend of Balintore, Duncan, and I were treated to a wonderful guided tour of the house and a delicious dinner. There are three fireplaces that could have come from Balintore.

Balintore's drawing room fireplace at Bardmony House

top-quality detailing on Balintore drawing room fireplace

The pure white carved marble one above is definite as there is a photo of it in Balintore's drawing room. The other two are "possibles". 

possible ex-Balintore fireplace in veined marble

There is light veined marble one (above) which has an almost Egyptian style that is common to William Burn fireplaces.

possible ex-Balintore fireplace in fossil marble

gilt gryphon detail on fossil marble fireplace

There is a back fossil marble one (above) which, on its own, has a plain-ness that is common to William Burn. However, there is applied gilt detail on top of the marble, which though charming, is neither William Burn nor aesthetically well-balanced. The consensus amongst Duncan, myself and the new owners is that at least some of this, if not all, was added at a later date. I will ask some experts about the two possible fireplaces.

It was such a thrill for me to see the Balintore dining room fireplace that I almost cried, as I had tried to track it down for many years but the trail had gone cold: see this previous blog entry here. There was a companion (presumed identical) dining room fireplace, but apparently this was too large to be fitted in at Bardmony and was sold on. Does anyone know the whereabouts of the white fireplace's twin? 

Seeing the original fireplace in the flesh was surprising, as it was not as grand or large as I had bigged it up to be in my head. However, there was no denying the quality of the carving or the fact that it is made from the finest white statuary marble - these two features are what add the most value to fireplaces. In short, the fireplace shows understated good taste but you have to know your fireplaces, to appreciate how truly top class it is.

I was pretty hysterical for the fortnight between Andrew's message and my private purchase of the urns. It seemed impossible to get them back, but somehow I knew that had to come back to the castle, and the scary thing to me was that this was (almost) regardless of expense. Historic Environment Scotland said they had no funding for this type of purchase, so I was on my own and I now know how people who are blackmailed must feel. :-)  I normally only purchase low-priced items for the castle, but these were different - they were the castle!

The elements of the story are remarkable. If Bardmony had not been for sale, the urns would not have been for sale. If Andrew had not such a remarkable mind, the sale of the urns would have gone undetected. If my sister had not done her detective work, the location of the urns would not have been discovered. If location of the urns had not been revealed, then the Balintore fireplaces would have not been rediscovered. 

Stylistically the urns share details from the castle entrance, but in addition there are carved swags of identifiable fruits and flowers and carved "metal" rings, both of which provide a bravura display of sculptor's undercutting, which separates the top end from the pedestrian.

I am not sure what it all means, there is a heady confluence of personality, art and place in the narrative, and I was left reeling by the day-to-day events that happened over the course of this fortnight, only a fraction of which can I relate in the blog. What I do know, is how staggeringly right the urns look in front of Balintore Castle. They add something that I didn't know was missing. 

To donate to the Balintore restoration project click here.

Sheep on the Castle Drive

One of the things I have learned living at Balintore is that the countryside has its own pace. If the single track roads around the castle are blocked by cows or by sheep then there is absolutely nothing one can do, and I no longer fret about it, even though it can take anything from 5 minutes to 30 minutes for the herd to disperse.

When I worked in Dundee, the computer login system would demand a written explanation of you were late for work, and over time my lengthy and defensive descriptions became curtailed to "sheep" or "cows". The management did not seem to need any more information, though I continued to take photographs of the blocked road should I ever need to argue my case in court.

sheep blocking the castle drive yesterday

Yesterday, on returning to the castle I discovered that a herd of sheep were blocking the castle drive: something I had never seen before. Indeed they were gradually heading up the drive to the castle itself. The scene was one of chaos and the shepherd had to retrieve a few sheep that had broached a neighbour's garden.

I settled down in my driver's seat as this situation was obviously going to take a long time to resolve. However, the shepherd got his unusually brown collie on the case. The dog launched itself off the quadbike, and within just a few seconds the sheep has been herded through a gate into a field at the bottom of the castle drive.

I often see dogs working sheep in the fields surrounding round the castle, but I was still awed by the peremptory efficiency of this beautiful sheepdog.

To donate to the Balintore restoration project click here.

Mists and Ectoplasms

At present, the castle is basking in an almost miraculous late autumnal weather window. The days are sunny and warm, and there are moments during the day when it feels just like summer. Of course, such moments of joy are bitter-sweet at this time of year, as it is a particularly intense reminder that the merciless winter is merely biding its time.

Autumnal mists and sun can combine to give spectacular atmospheric effects and yesterday back-lit mists rolled moodily towards the castle, but were vaporised before the could reach the building.

backlit mists looking south from castle

mist looking west from castle

Yesterday a strange miasma appeared in the women servants' bedroom. You can see the ectoplasm dangling down from the ceiling on a thin thread. We had been using steam to remove the old patchy lining paper from the ceiling. The 50 years-worth of cobwebs which had built up on the ceiling had somehow formed into this eerie structure. The ectoplasm would truly have gifted any spiritualist meeting

 

ectoplasm dangling from ceiling

The morale of this story is that, for whatever reason, at Balintore there is always something new to see.

To donate to the Balintore restoration project click here.