I've Been Framed

Conscious of leaks in the castle's rooves, which have damaged antique art works bought for its walls, my brain finally settled upon an artistic medium that would be hardy against water ingress:

Bronze plaques!

I had never investigated the world of the bronze plaque before, but I quickly found out that they were expensive - very expensive. So much for that idea! However, in the quest I came across a "bronzed metal plaque" on eBay that looked the part and that I bagged for a modest £25.

the bronzed plaque - excuse sawdust

It came without a frame, so I asked Gregor (being a carpenter by trade) if he could knock me one up from some of the mouldings we had got from Brechin Castle's carpenters' workshop when the contents were auctioned off. This is exactly the type of job Gregor loves, something that can be done very quickly and yet something that gives a good visual reward.

Gregor's new oak frame 

Naturally, I am not organised enough to actually have a picture of the bronze in Gregor's new oak frame, but I can report that, very satisfyingly, the frame looks like it could be the original one.

you too can stand around the piano and sing this jolly song 

Some German guests at the castle assured me the plaque is southern German rather than Austrian, on account of the language of the inscription. "Grüß Gott grüß Gott mit hellem Klang" is a lyric of a German folk song which doesn't really have an English equivalent but my school boy German yields: "Sing greetings, sing greetings in a bright voice".  My German teacher Mrs. Aitken instilled in us that a light beer was a "Helles" and a dark beer was a "Dunkles". This is where the adjective becomes a noun and so gets capitalised.

Anyhow, the plaque shows hearty types striding about the Alps and hailing each other joyfully. The modelling is in bas relief i.e. not fully 3D but coming out of a 2D scene. Indeed, the bas relief is further very cleverly done in "false perspective" where the more distant the object the more shallow the relief. This mimics the stereo perception of human vision, and gives the illusion of a fully 3D scene using the depth of just a couple of centimetres.

In fact, the head of the man in the foreground is the only part of the scene done "in the round" and looking at the back of the piece you can see it is a separate piece of metal that has been inserted. This effect could not have been achieved with a single (rigid) mould.

I would put the piece as late 19th or early 20th Century. Believe it or not, it is actually cast aluminium with a bronze patination, so it is not as heavy as you might expect. The musical staves on the plaque are devoid of notes. I can only assume the sculptor did not have the sheet music, or had expended all the available effort on their technical brilliance in modelling depth.